Marie-Therese Heublein
b. 1997 in Germany
@marie.t.h
2021 – 2022
MA Painting, Distinction
University of the Arts London,
Camberwell, United Kingdom
2016 – 2021
BA Communication Design, 1.3
University of Applied Sciences Munich, Germany
2012 - 2021
Studies at the atelier of
Mihail Tchernaev
Munich, Germany
Marie-Therese Heublein is a London-based artist and designer. She works within and intersects the processes of oil painting, 3D animation and augmented reality.
Born in 1997 in Erlangen, Germany, Marie-Therese obtained her BA in Communication Design at Hochschule für angewandte Wissenschaften München in 2021 while also being introduced to a multitude of art forms at the atelier of costume and stage designer Mihail Tchernaev from 2012 – 2021. She then moved to London to earn her MA in Fine Art Painting with Distinction at the University of the Arts London, Camberwell in 2022. During her studies she was awarded with the Research Prize by the College to highlight her intensive and informed writing on the themes that shape her artistic practice.
In her paintings she uses the canvas as a plane for experimentation and world building. Her multi-layered process combines physical sketches with digital image processing software, 3D renderings and the use of collage to create spaces in which the body oscillates between its physical presence and its new mutability, which is made possible by our constant connection to the expanded possibilities of the digital space.
Her work uses the recurring element of the fractured body that develops into a new shape and becomes part of an unexplored landscape. Graphic shapes indicate a vague sense of perspective and the use of white space opens up the plane to the viewer. In selected works the artist expands the viewing experience by adding a virtual environment to the painting which the viewer can access through an Augmented Reality extension.
Marie-Therese has participated in several group exhibitions across London, including a group show at the Copeland Gallery and a contribution to the Research Festival at Peckham Levels in 2022. She recently exhibited a triptique at the Mall Galleries in the group exhibition „Through the Looking Glass“, where she was awarded with the Audience Choice Award.
About
2021 – 2022
MA Painting, Distinction
University of the Arts London,Camberwell, United Kingdom
2016 – 2021
BA Communication Design, 1.3
University of Applied Sciences Munich, Germany
2012 - 2021
Studies at the atelier of
Mihail Tchernaev
Munich,Germany
Marie-Therese Heublein is a London-based artist and designer. She works within and intersects the processes of oil painting, 3D animation and augmented reality. Born in 1997 in Erlangen, Germany, Marie-Therese obtained her BA in Communication Design at Hochschule für angewandte Wissenschaften München in 2021 while also being introduced to a multitude of art forms at the atelier of costume and stage designer Mihail Tchernaev from 2012 – 2021. She then moved to London to earn her MA in Fine Art Painting with Distinction at the University of the Arts London, Camberwell in 2022. During her studies she was awarded with the Research Prize by the College to highlight her intensive and informed writing on the themes that shape her artistic practice. In her paintings she uses the canvas as a plane for experimentation and world building. Her multi-layered process combines physical sketches with digital image processing software, 3D renderings and the use of collage to create spaces in which the body oscillates between its physical presence and its new mutability, which is made possible by our constant connection to the expanded possibilities of the digital space. Her work uses the recurring element of the fractured body that develops into a new shape and becomes part of an unexplored landscape. Graphic shapes indicate a vague sense of perspective and the use of white space opens up the plane to the viewer. In selected works the artist expands the viewing experience by adding a virtual environment to the painting which the viewer can access through an Augmented Reality extension. Marie-Therese has participated in several group exhibitions across London, including a group show at the Copeland Gallery and a contribution to the Research Festival at Peckham Levels in 2022. She recently exhibited a triptique at the Mall Galleries in the group exhibition „Through the Looking Glass“, where she was awarded with the Audience Choice Award.
Artist Biography
Marie-Therese Heublein
b.1997, Germany
@marie.t.h
2022
MA Painting, Distinction
University of the Arts London,
Camberwell, London, United Kingdom
2021
BA Communication Design, 1.3
University of Applied Sciences Munich, Germany
2012 - 2021
Studies at the atelier
of Mihail Tchernaev
Munich,Germany
PAINTING
ARTIST STATEMENT
"In my practice I explore how our constant connection to digital technology affects our understanding of the contemporary human body and where we are defining its new limits. Central to my work is an intricate interplay of body and shape. By morphing our digital and physical modes of existing the body becomes limitless and material of experimentation. In this dual state there are no natural boundaries and no natural dynamics, only the constant awareness of an in-between. My paintings offer a look inside and beneath the surface as the body becomes a malleable mass. It is being reduced to a pure surface material, while its content is being set aside. I explore the simultaneity of shape and space, individuality and reduction, incompleteness and openness, while placing the body against a vast non-space. All compositional elements come from or lead back to the recorded body as they take on its colours or act as traces of its physical movement. Influenced by the spiralling portrayal of pathos in the Baroque and the encounter of immersive and transformative virtual environments, I play with different levels of complexity and reduction to reflect on the different levels of being present in this multifaceted time. The viewer is being confronted with a fragmented but soft surface of a new and strangely misplaced bodily experience. In my creative process I link digital and analogue techniques, digital 3D modelling that can be applied in AR and traditional oil painting on canvas. The fractured body, the flattened space, the gradient and the softness of shapes are recurring elements in my work that indicate dissolution and growth. A dissolving and rebuilding of our own identities takes place as we are becoming multiple and redefine our relationship towards the organic nature."
"In my practice I explore how our constant connection to digital technology affects our understanding of the contemporary human body and where we are defining its new limits."
Solo Exhibitions
2024
Transform: Marie-Therese Heublein, Swanfall Gallery, 1 A Old Bond Street, London
Selected Group Exhibitions
2024
Perceive, LumiNoir Art, Espacio Gallery, London
2023
Through the Looking Glass, The Mall Galleries, London
4 IN 1, Cornerstone Studios, London
A colourful soup, The Social, London
2022
Research Festival 1.0, Peckham Levels, London
Church/Factory, Copeland Gallery, London
Unveil, Swanfall Art, Shoreditch High Street, London
Summer Exhibition 2022, Spiral Galleries, London
Jahresausstellung, HM, Munich
Brick Walls and Glass Ceilings, Wilson Road, London
This Art Exhibition, Espacio Gallery, London
Dialogues, Camberwell Space, London
Artist Statement
the body in flux
In my practice I explore how our constant connection to digital technology affects our understanding of the contemporary human body and where we are defining its new limits.
Central to my work is an intricate interplay of body and shape. By morphing our digital and physical modes of existing the body becomes limitless and material of experimentation. In this dual state there are no natural boundaries and no natural dynamics, only the constant awareness of an in-between.
My paintings offer a look inside and beneath the surface as the body becomes a malleable mass. It is being reduced to a pure surface material, while its content is being set aside. I explore the simultaneity of shape and space, individuality and reduction, incompleteness and openness, while placing the body against a vast non-space. All compositional elements come from or lead back to the recorded body as they take on its colours or act as traces of its physical movement.
Influenced by the spiralling portrayal of pathos in the Baroque and the encounter of immersive and transformative virtual environments, I play with different levels of complexity and reduction to reflect on the different levels of being present in this multifaceted time. The viewer is being confronted with a fragmented but soft surface of a new and strangely misplaced bodily experience.
In my creative process I link digital and analogue techniques, digital 3D modelling that can be applied in AR and traditional oil painting on canvas. The fractured body, the flattened space, the gradient and the softness of shapes are recurring elements in my work that indicate dissolution and growth. A dissolving and rebuilding of our own identities takes place as we are becoming multiple and redefine our relationship towards the organic nature.
In this series of paintings the body is connected to and entangled with another body or an artificially adapted substance. The scenes take place in an atmosphere dominated by simplified and graphic shapes that allude to a constantly evolving and inventive digital world.
They consider the potentially disruptive nature of digital technology and the danger of hastily digitising or automating processes that, at their heart, depend on human interaction. For this reason, the scenes of camaraderie and physical proximity emphasise the importance of interpersonal connection and care. Juxtaposed with isolating environments they are either physically separated as single canvases or in the process of merging into one another.
Transform Through Connection
Here the body is depicted as a vessel for energy that navigates a complex shared reality as it overcomes its spatial boundaries and exists in constant connection to multiple narratives.
The vibrant colour palette is drenched in red inviting the viewer to look beneath the skin. Part of this series focuses on painting hands as they represent the connection of interfaces between our bodies' online and offline presence, becoming the navigators of both states. Their gestures relive our daily actions online, such as the navigation actions "command", "insert" or “connect".
Transform Through
Internal Energy
In my practice I explore how our constant connection to digital technology affects our understanding of the contemporary human body and where we are defining its new limits.
Central to my work is an intricate interplay of body and shape. By morphing our digital and physical modes of existing the body becomes limitless and material of experimentation. In this dual state there are no natural boundaries and no natural dynamics, only the constant awareness of an in-between.
My paintings offer a look inside and beneath the surface as the body becomes a malleable mass. It is being reduced to a pure surface material, while its content is being set aside. I explore the simultaneity of shape and space, individuality and reduction, incompleteness and openness, while placing the body against a vast non-space. All compositional elements come from or lead back to the recorded body as they take on its colours or act as traces of its physical movement.
Influenced by the spiralling portrayal of pathos in the Baroque and the encounter of hyperrealistic and transformative virtual environments, I play with different levels of complexity and reduction to reflect on the different levels of being present in this multifaceted time. The viewer is being confronted with a fragmented but soft surface of a new and strangely misplaced bodily experience.
In my creative process I link digital and analogue techniques, digital 3D modelling that can be applied in AR and traditional oil painting on canvas. The fractured body, the flattened space, the gradient and the softness of shapes are recurring elements in my work that indicate dissolution and growth. A dissolving and rebuilding of our own identities takes place as we are becoming multiple and redefine our relationship towards the organic nature.
Artist Statement
2023
Through the Looking Glass (Audience Choice Award), Mall Galleries, London
4 IN 1, Cornerstone Studios, London
A colourful soup, The Social, London
2022
Research Festival 1.0, Peckham Levels, London
Church/Factory, Copeland Gallery, London
Unveil, Swanfall Art, Shoreditch High Street, London
Summer Exhibition 2022, Spiral Galleries, London
Jahresausstellung, HM, Munich
Brick Walls and Glass Ceilings, Wilson Road, London
This Art Exhibition, Espacio Gallery, London
Dialogues, Camberwell Space, London
Recent Group Exhibitions
This series of paintings deals with the human body in a state of deconstruction and reconstruction. It focuses on the “self” within and outside of networked technologies.
These works examine the intersection between the perceived surface of the body, its newly found malleability and its redefinition through technology. Pixel and cubist shapes act as visual means to glitch the surface of the body and enable it to become a malleable mass and a material for experimentation. An in-between of embodiment and disembodiment takes shape, questioning our place in this increasingly mediated world.